Thứ Sáu, 27 tháng 1, 2017

Youtube daily don Jan 27 2017

Okay, guys. Great job on features

last month. That was really cool.

It really helped with the layout.

Alex, that was great.

Same with you, Nina.

That was awesome.

So for the logo we're gonna go brighter.

We're gonna go more toward the brand of it.

You know? And go with the trends of

oranges and blues. That's what they want right now.

Also, let's see...our margins this month

weren't great though.

I think we'd like to concentrate more...

Dee, do you wanna grab salads for lunch?

*zombie noise*

Dee. No.

No, no, no.

You can't do this anymore.

You're out of control.

You're staying up all night.

You're eating junk food.

You're watching terrible TV shows.

We need to get you help, okay?

Dee. Dee.

C'mon.

I used to be like you, okay?

This is the first step.

It's time. C'mon.

C'mon. Get it out.

*zombie noise*

*annoyed Zombie noise*

Awesome. Yes!

C'mon. No more.

You can do it, Dee.

You don't need this.

No, no, no, no!

Think about all the work we did.

For more infomation >> Healthy For Good: Don't Be a Zombie - Duration: 2:14.

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หลับต่อเลยได้มั้ย : I don't wanna wake up - Duration: 0:34.

Ummmmm

chocolate, vanilla, strawberry.......i love ice creams.

Hmmmm

What's that sound? Dog Barking?

I don't wanna wake up now.

I want to sleep.

Zzzzzzzzzzzzzzzzzzzz

Ahhhh, i'm still sleepy.

[stretch oneself]

Zzzzzzzzzzzzz

For more infomation >> หลับต่อเลยได้มั้ย : I don't wanna wake up - Duration: 0:34.

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#AbrahamHicks • You don't need to know exactly what you want to do ♦ Esther Hicks #LawofAttraction - Duration: 14:05.

For more infomation >> #AbrahamHicks • You don't need to know exactly what you want to do ♦ Esther Hicks #LawofAttraction - Duration: 14:05.

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Behind the scenes of "I Don't Wanna Live Forever" Music Video - Duration: 1:00.

I've known Zayn for a really long time.

I think his voice is one of those

that is really rare.

And I think he's really special and wonderful

And it's really really amazing to get to work together.

It's amazing when you get to work with people

who you hang out with.

Because the question of 'Will we get along?'

is already answered.

You're like "yeah I get along with Zayn."

"We hang out like it's fine."

For more infomation >> Behind the scenes of "I Don't Wanna Live Forever" Music Video - Duration: 1:00.

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Things you don't know about Sanam Puri | SANAM | Fame cover songer - Duration: 3:14.

Sanam Puri (born 30 June 1989) is an Indian singer and the lead vocalist of the band,Sanam.

As a child, sanam attended St. Columba's School . He studied at the Kirori Mal College

under the administration of the University of Delhi.

He went to college for a short period of six months and eventually dropped out due to excessive

ragging by his seniors

Puri has never received any formal training in music and describes his artistry as "in-born".

With expertise in playing the guitar, piano and many other instruments, Puri's vocal practice

commenced at an age of 6, while he was in Muscat.

Crediting his mother and brother Samar Puri for being the cause of his continuation of

music practice, Puri states that it was only when he moved to Mumbai that he took music

for serious, with a desire to pursue a career in it.

Sanam Puri, his brother Samar Puri, Venkat Subramaniyam and Keshav Dhanraj joined hands

to form their band Sanam.

In 2011, they released an album SQS Supastars.The band was formed when Sanam Puri was in Muscat

and it was something he started with his brother Samar Puri.

The first band was with three others at age 13.

Venky, who moved to Bangalore was in the same band and introduced Keshav Dhanraj (the drummer),

because they were looking for one in Mumbai.

Venky travels to Mumbai just for the band.

He also released an album 'Samar Sanam' with his brother Samar Puri in 2011

They were invited to perform at the YouTube Fanfest in the year 2015 and 2016 and their

channel was considered as one of the fastest growing YouTube channel in India and the first

Indie-Pop Band.

For more infomation >> Things you don't know about Sanam Puri | SANAM | Fame cover songer - Duration: 3:14.

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Who You Wanna be - COTTON - Duration: 3:50.

For more infomation >> Who You Wanna be - COTTON - Duration: 3:50.

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[ENG SUB] SEOHYUN - DON'T SAY NO 1st WIN @ M!countdown - Duration: 4:06.

Seohyun VS AKDONG MUSICIAN who's own the trophy? Let's reveal the results

the winner is..

Seohyun-ssi congratulation!

really.. idk i would get an award

debut as an solo for the first time like this, thanks to unchanging love of our fans. Thank you so much and i love you!

Also Lee Soo Man, who's believe in me. Thank you very much! //staffs name//

the lovely Kenzie eonni. thank you so much!

there are so many people i want to thank. Our managers, everyone of you have worked so hard. Thank you so much!

for everyone who likes my song, sincerely thank you! in the future, i'll be a singer that show good music and performance. Thank you!

Everybody, Happy new year! thank you! SONE JJANG! thank you!

OUR MAKNAE SEO JOO HYUN <3 has become a fully grown up woman

For more infomation >> [ENG SUB] SEOHYUN - DON'T SAY NO 1st WIN @ M!countdown - Duration: 4:06.

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Seymour police undergo 'Shoot Don't Shoot' training - Duration: 1:42.

ERS FACE, FRACTIONS

@OF A SECOND CAN BE THE

@DIFFERENCE BETWEEN LIFE AND

@DEATH.

@>> DROP THE WEAPON!

@DROP THE WEAPON!

@>> ANYTIME AN OFFICER'S FACED

@WITH A DEADLY FORCE SITUATION,

@YOUR BODY PHYSIOLOGICALLY

@CHANGES AND YOU FEEL AN INCREASE

@IN YOUR HEART RATE, YOUR BLOOD

@PRESSURE, YOUR BREATHING, YOUR

@VISION BECOMES MORE LOOKING

@THROUGH A TUNNEL.

@P>> PUT THE GUN DOWN.

@PReporter: IT'S CALLED SHOOT.

@DON'T SHOOT.

@THE TRAINING SIMULATION FOR

@POLICE OFFICERS ACROSS THE

@NATION IS AT THE SEYMOUR POLICE

@DEPARTMENT THIS WEEK.

@>> OFFICERS GO THROUGH THIS

@TRAINING ANNUALLY.

@MANY DEPARTMENTS MAY NOT BE ABLE

@TO AFFORD SOMETHING LIKE THIS.

@AND IT'S JUST THAT JUDGMENT

@TRAINING IS PRETTY MUCH

@INGRAINED IN EVERY POLICE

@OFFICER THROUGHOUT EVERY DAY OF

@THEIR CAREER.

@PReporter: IN MANY SCENARIOS. THE

@OFFICER IS NOT SUPPOSED TO SHOOT

@OTHERS INVOLVE TASERS.

@>> PUT DOWN THE KNIFE.

@PReporter: I TRIED THE SIMULATION

@MYSELF.

@>> MY HEART IS STILL RACING.

@MY HEART IS STILL KIND OF

@RACING.

@PReporter: SEYMOUR POLICE CHIEF

@BILL ABBOTT SOMETIMES INVITES

@CITIZENS TO GIVE THEM A

@DIFFERENT PERSPECTIVE OF A VERY

@INTENSE SITUATION.

@>> IN THE MAJORITY OF INSTANCES,

@IT'S JUST IN THE HEAT OF THE

@MOMENT.

@THE PERSON THAT THEY'RE DEALING

@WITH, IT'S NOT THE OFFICER

@MAKING THE CONSCIOUS DECISION TO

@INTENTIONALLY TAKE SOMEBODY'S

@LIFE JUST BECAUSE HE WANTS TO,

@IT'S USUALLY A REACTION TO A

@MOVEMENT OR A GESTURE OR SOME

@THREAT OF FORCE FROM THE PERSON

@THAT THEY'RE DEALING WIT

@PReporter: ONE OF THE THINGS THAT

@STRUCK ME ABOUT THIS EXPERIENCE

@IS QUICKLY EVERYTHING HAPPENS.

@IT'S ALMOST A BLUR.

@IT GAVE ME A NEW APPRECIATION

@FOR WHAT OFFICERS GO THROUGH.

For more infomation >> Seymour police undergo 'Shoot Don't Shoot' training - Duration: 1:42.

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4C: CLASH OF CLANS CHARACTER COUNSELING - EP 3: BARBARIANS DON'T HAVE FEELINGS - Duration: 5:32.

Is he always like this?

I told you. He's on recharge mode.

Can't you just nudge him or something?

Yeah, I can nudge him!

But he's going to be awake in like...

Five

Four

Brace yourself.

Two

One

I feel better already!

What are we doing here, runt?

We're in therapy.

Therapy?

Barbarians crush!

We do not do therapy!

Except for that hot stone massage thing, if you know what I mean...

While you were sleeping, your son was telling me about some issues you've been having?

Which son?

The one right next to you.

Oh, Crusher!

No, that's not me.

Thunder Face!

Still no...

Pain Explosion!

He's dead! There's no bringing him back!

Oh, then it's definitely Boulder Brain.

It's not even close.

Jeff.

Jeff is not one of your kids.

OK, it's Barbarian!

Barbarian, the one out of your ten thousand kids who you actually named after the job you want me to do.

Barbarian!

I mean, you are all kind of the same.

I mean, so sue me if I ran out of ideas, OK?

If I gave every "maiden" the attention she wanted

I mean, how would I have any time for conquering?

Oh, calling me a maiden.

Rich. Real rich, dad!

Look...

You slept through all the important moments in my life.

I was not sleeping, I was power drunk!

Call it what you will!

You missed me getting caught on fire for the first time.

You missed my first raid.

You missed my one hundredth raid.

You missed the time I studied and took the Bar...

Barian.

You hurt my feelings!

Feelings!?

Feelings...

It's nothing more than...

Feelings!

Barbarians don't have feelings!

Maybe I don't want to be a Barbarian anymore.

Maybe I want to be a...

Librarian.

Librarian...

I wanna be a

Li...brarian.

Really?

Are you billing by the hour?

Oh, certainly yes.

I love you, father.

Aaah, the pain!

The pain!

The blood and the pain!

For more infomation >> 4C: CLASH OF CLANS CHARACTER COUNSELING - EP 3: BARBARIANS DON'T HAVE FEELINGS - Duration: 5:32.

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How to Get Results In Any Position - Duration: 1:27.

Hi there everybody.

Luke had a question that he sent over to me and it's do you have any tips on learning

to get results without authority.

I love the question, Luke.

You want to get those results but you don't necessarily have control over the entire department.

It's important when we have those subordinate roles that we are still focused on results

and the best way to do that when you don't have the authority is simply focus on helping

others.

Collaboration and teamwork are force multipliers and they don't require any authority to really

get up and going.

Some of the best teams are supported at the grass roots level.

It's that grass roots collaboration that allows for out sized results for the entire department.

Okay?

You don't need your boss' approval to help other people, to share your knowledge, to

ask them questions, to support them when they're in a bind.

You don't need any sort of approval for that.

You can do that simply yourself.

Just serve others and encourage others to do the same thing.

Encourage them to share their knowledge.

Encourage them to help other people.

Bring them into a conversation if somebody asks you a question and there's a expert next

door, then bring that person in and introduce the two together and have them share knowledge

together.

You can be that sort of change for teamwork and serving others and that's something that's

going to get results.

Thanks so much, Luke.

Best of luck.

For more infomation >> How to Get Results In Any Position - Duration: 1:27.

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Young Don - Diamonds - Duration: 3:33.

For more infomation >> Young Don - Diamonds - Duration: 3:33.

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Don't Starve Double Mega Base Tour - Reign of Giants at 1250 days & Don't Starve Together at 1850 - Duration: 15:45.

Hey. Hi there. Joeshmocoolstuff here.

We recently just surpassed 10,000 subscribers.

So I wanted to do something special to commemorate the event.

and as a thanks to all of you.

Since I don't do much commentary, I rarely have a chance to convey my appreciation for all of your positivity and support.

YouTube comments kind of have a reputation for being a cesspool.

When I started producing content, I was fully expecting to have toxicity thrown my way.

So it was a huge surprise to find that there's only been, maybe one or two toxic comments out of thousands.

I don't know what it is, but my channel seems to attract a decent, cool class of people.

..so yeah, thanks for being cool.

Most of you know me for speed runs and challenges.

but I used to be really big into building mega bases.

You might have seem my first mega base album from years ago on reddit.

I'll do a little tour of that later, but first..

here is my Don't Starve Together mega base.

This is my favorite part of the world. The base hub.

These are pig torches - which I'm obsessed with!

They have a rare chance to spawn in worldgen as part of several setpieces.

A lot of people world-hop until they get the reed trap, but nobody appreciates a good pig torch.

You can trap 'em for infinite light, or use the pigs as henchmen for farms.

So what you gotta do to get pig torch buddies is.. first, kill all of the guardian pigs.

Don't worry, they spawn back.

But while they're gone, place down walls in whatever orientation you fancy.

Leaving a single spot directly adjacent to the pig torch open and free for the guardian pig to spawn back into.

If the guardian pig doesn't spawn in that spot, just kill him and try again.

Oh and be sure to place down some type of food somewhere close by, like a stack of rot, a Deerclops' eyeball, or a powdercake

so that when they turn into werepigs during full moons, they won't smash the walls down.

Because werepigs are kinda dumb in that they just continuously run face-first into walls when there's food nearby.

The krampus were pretty easy to trap because they're passive mobs by default, which means they don't attack you unless you attack them.

All I did was surround a telelocator focus with grass walls.

Teleported a krampus inside.

Pushed him up to the two moon rock walls.

And then sealed him off.

The ice hounds were much more difficult.

Well, maybe difficult isn't the right word. More like tedious.

Getting a bunch of skeletons like this is time-consuming in itself, but I specifically wanted these head-splat dudes for aesthetic reasons.

So whenever I got one of the other skeletons, I had to hammer it away and try again.

So how did I do it?

I placed down a telelocator focus.

Then on each corner and dot of the focus, I'd create a skeleton.

I'd get down to around 20 health with the help of the guardian pigs.

Then I'd click a piece of rot onto my desired location to position myself precisely.

And finally, I'd light the rot on fire.

You can actually seal the entire skeleton wall and still hammer away the focus.

but it's kinda finicky and tricky to reach it at that point.

So I ended up teleporting the hound with one space still open.

Five skeletons is enough to keep the hound in place, and the free space gives me some wiggle room to easily reach the focus to hammer it away.

But you can also use a deconstruction staff to make things a bit easier.

There's actually a funny story behind these guys.

Originally I had two of those ice hound setpieces.

The one where sleeping hounds surround an ice staff.

The hounds remain asleep until the ice staff is picked up, so I had the idea of leaving the ice staff there, and pushing the hounds all the way to the base to be used as decoration.

But sadly it ended up being a bit glitchy. When I'd log in, the hounds would randomly wake from their sleep right smack dab in the middle of the base!

I'm sure you can imagine the chaos that caused.

So yeah, that idea was kaput.

I really wanted some hound statues though so I brain stormed for a bit and I came up with the idea of skeleton walls.

This is the storage area.

I used the same method of placing items in front of the chests that I did with my old school mega base.

For example, if a chest contains rocks, then I'd place a rock down in front of it to indicate what it contains.

I think in DST (Don't Starve Together) they added some new chest sign thing... but I still like the old school method.

Here is the base hub at night.

I love the way everything lights up in the dark.

Sheesh finally some breathing room. This guy talks a lot. What's up CC peeps. Is anybody here?! ;-P

We have some beefalo over here.

The beefalo pen is specially designed to prevent the beefalo from smashing the walls during spring.

Beefalo only attack walls when they aggro on something like a bird that's landed outside of the walls.

So to prevent that, I just placed and smashed a bunch of grass walls.

The beefalo don't like walking over the smashed walls for whatever reason, so they huddle together in the center.

Out of range of anything that might be outside.

This is the kitchen. Ya got your crockpots, fridge, bird cages.

We have a little moleworm area here.

Moleworms are kinda dumb in DST because you can only dig their burrows during dusk or night, when they're out and active.

Or else you permanently destroy the burrow and the moleworm.

So yeah, we had a bit of trouble with that.

I had to repopulate the moleworms a few times with the help of catcoons and tumbleweeds.

Over here we have the koalefant and volt goat pens.

Volt goats are really nice to have close by the base because you get horns and milk on demand.

Since they're walled in, it's easy to get them aggroed, and you just need to smack 'em with a morning star to charge them for milk.

Volt goats are actually really underrated in my opinion.

Everybody loves beefalo, but do beefalo give you milk, icecream, morning stars, and weather pains?

No.

They give you poop.

And the koalas?

They serve no purpose besides being adorable.

This is a turkey farm.

This thing produces so much food it's completely ridiculous.

What ya do is pick one berry.

Place it inside the walls.

And then patch the wall up.

Start pickin' and the turkeys that spawn will mindlessly walk into the walls because they prefer the berry that's on the ground over the fresh ones on the bushes.

Just before dusk hits, kill them all and you have meatball ingredients for days!

Or you can convert the berries to poop via werepigs for a quick and easy source of fuel.

Here's the pig village.

I was gonna put rabbit hutches on the other side, but I lost interest in this world before the caves update came.

I dunno if you remember, but that caves update man, that took forever!

Oh and these farms are purely for decoration.

I figure they add a bit of color.

I could probably lay them out more nicely and randomly if I planned the base a bit better, but.. meh. Good enough.

Here's a photo that my buddy Genie snapped of the group in the early days.

We are standing in a developer graveyard, which is a rare setpiece that has the names of the developers inscribed on each of the grave stones.

When you dig the graves up, a bunch of ghosts pop up.

We actually have three of these incredibly rare developer setpieces in this world.

I bring this up to point out that I did increase the likelihood for setpiece generation.

Setpieces are distinct from the skeleton boons that can be modified in the worldgen options.

For whatever reason, the devs didn't want to give you the ability to modify setpiece generation.

But I'll make some mods so that you can do it too.

I'll stick the links in the description if you're interested.

This right here is a tumbleweed spawner.

You used to be able to locate these by running something placeable -- like a tooth trap or a campfire -- over the ground.

And if there was ever a spot where you should be able to place it but you can not

it meant that there was some sort of invisible spawner in that location.

and being in the desert, it was most likely a tumbleweed spawner.

Unfortunately they patched this out of DST

but I think it still does work in single player

because.. they don't. update. single player.

so.. yeah. That's... that's good.

This is a renovated hound fortress.

Here's what it looks like in the wild.

I used skeleton walls again here to build a little safe area within the hound mounds where I can place lureplants.

The eyeballs actually do a pretty decent job of taking care of the hounds.

Then I can just kill the lureplants to get the hound loot.

Let's head over to the MacTusk camp now.

Genie made this massive highway connecting the main base to the MacTusk camp. Crazy dedication right here.

This is the perfect minibase setup in my opinion.

For one, the campfires are actually out of range of the flingomatics.

I know. Innovative idea. Right?

To everybody who builds their campfires inside of the flingomatic's range -- I'm sorry -- but you have to admit... that's pretty dumb.

but besides that, you have all of your necessities nice and tidy and summer-proof. Love it!

We have another koala pen over here for some reason. We just really loved koalas I guess.

On the other side of the wormhole is the swamp.

With a reed trap up north

and two fairy rings off to the sides.

Both fairy rings are composed of blue mushrooms.

I think originally one of them was green shrooms, but we converted them to blue by haunting them.

Back then, there was a chance that things would catch on fire when you haunt them.

So Genie stood by with a luxury fan to extinguish the flames whenever they sprung up.

We did lose one mushroom here unfortunately.

Here is our second satellite base.

This is nearby outside the mosaic.

I suppose we built this out here so that it'd be out of range of the meteors which do a pretty great job at wrecking everything ya build.

Up here is the spider farm.

We used another pig torch setpiece for it.

It's a bit tricky to get the loot, but you can put the pigs to sleep and sneak in if you're quick enough.

The final thing I want to showcase in this world is the tallbird fort farm.

This is what this setpiece looks like naturally.

The lureplants actually don't do too good of a job at taking care of the tallbirds.

The tallbirds have just a bit too much health for the eyeballs.

I think rabbits would be better. Or bunnymen rather.

But we didn't have access to caves at the time, like I said before.

And I sorta lost interest in the world before caves came, so...

Okay.. that's pretty much all I've got for DST.

Let's head off into my first mega base in the very old school Reign of Giants world.

Welcome to my Reign of Giants world.

And oh man.. these pig torch walls are so damn ugly.

Here is the storage area.

I had a system going on. Like mob drops were over here, tools over here, etc.

We have the kitchen with the eyeball trashcan.

You can feed this little bugger indestructible stuff that you want to get rid of -- like boneshards or tools.

Here's the bat farm. The bunnymen take care of them pretty easily every dusk.

Up here we have the crops.

I actually placed all of these by hand.

No geometric placement here!

The grass looks pretty decent if I say so myself.

Butter farm fueled by catcoons.

Here is the fully automatic spider farm.

The bunnymen are just total beasts.

When a spiderqueen spawns, they easily take care of it, and a nest is spawned in its place.

The bunnymen also regenerate health over time.

So the only thing I really had to do was come over occasionally and collect the loot.

I have no flingomatics at the main base, so I spent my summers in the desert in order to prevent my base from burning down.

Wildfires only spawn in a certain radius around the player.

So as long as you're far enough away from your base, you don't have to worry about wildfires.

You could also summon rain with, say, a telelocator staff to prevent wildfires.

The battle arena is here in the middle of the map.

It's where I fought giants and hounds.

I have the pig and rabbit battalions with a flingomatic in the middle to protect against fire hounds.

Where the meat effigy is, I had some backup materials like tallbird eggs -- which is food that'll never spoil.

And some recipes for quick sanity.

If I ever found myself in a bind, I could also teleport myself here with a telelocator staff.

I was still a beginner in this world, so there was a decent chance that I'd die. Even in default survival.

The Varg farm is wayyy over here next to the MacTusk camp.

I teleported a Varg behind these tree and stone walls.

Hounds are only able to spawn from the land, so they'll always come from this way and be taken out by the houndius shootii.

shootiuses?

But this is a really fantastic way to farm up gems.

That's all the interesting stuff on the surface. Let's check out the caves base now.

I love the caves. There's such a great atmosphere down here.

Being in a slurtle biome though can definitely be a hassle if you don't have some safeguards

because the slurtle army will constantly be on your tail if you have any rocks in your pockets.

Earthquakes will destroy ordinary walls, so I had to construct some tree walls.

If you don't know how to make tree walls, essentially what you do is place -- not plant -- place a pinecone on the ground.

Set it on fire, and then extinguish it with a flingomatic, ice staff, or luxury fan.

Relog, and the pinecone will now be planted.

Because you can turn placed pinecones into planted pinecones like this

You're able to bunch them up much more closely than you otherwise could.

It was particularly difficult setting it up like this though because the light bulbs were close enough to be caught on fire.

So I had to stand just far enough away from the trees where I could continually extinguish the light bulbs while the trees burned out.

And I had to do it in patches because I could only focus on one set of light bulbs at a time.

So yeah, it was basically a nightmare to get it like this.

But I think it turned out great.

Well, that's pretty much all I've got.

I hope you all enjoyed.

Thanks for watchin'.

And until next time...

Thanks for watching CC people!

By the way, I performed surgery on the pigs' brains and stategraphs to get them to be like this. I'm like Frankenstein!

Frankenstein was the doctor by the way! So many people think it's the monster.

Oh and I messed up the top "K". There should be a little boop in the middle like how I did the gold one. But I'm way too lazy. Nobody is gonna notice anyway.

Have a great rest of the day!

For more infomation >> Don't Starve Double Mega Base Tour - Reign of Giants at 1250 days & Don't Starve Together at 1850 - Duration: 15:45.

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Why We Don't Hear From Sinbad Anymore - Duration: 4:12.

In the 1980s and '90s, David Adkins achieved massive popularity with his keen observational

and relationship comedy under the stage name Sinbad.

His specials ran on cable constantly, he frequently did routines on the talk show circuit, and

he was a regular on television and in film.

These days, however...well, he's not.

In fact, Sinbad's making way more headlines lately for appearing in movies that never

actually existed, rather than landing any new leading roles.

Here are some reasons why we don't hear from Sinbad anymore...

He stopped making specials

Sinbad was huge in the '90s partly because he churned out special after special, doing

five in eight years on both HBO and Comedy Central.

"And remember now this is 8 lbs of new hair on your head.

You've got to get your neck strong first.

I saw a girl at the bus stop, couldn't even get up..."

"Somebody tell me when number seven come by."

But after 1998's Nothin' But the Funk, he began focusing on his acting career and didn't

tape another special until 2010's appropriately titled Where U Been?

Out of sight, out of mind.

Medical problems

In 2010, Sinbad had to undergo knee replacement surgery, receiving two new artificial joints,

or "bionic knees" as he calls them.

After essentially having to learn how to walk all over again, Sinbad was knocked out of

commission again five years later, when his chronic back pain grew so unbearable that

he had to undergo double fusion spinal surgery.

Yikes.

Bankruptcy

In December 2009, the IRS went after Sinbad for millions in unpaid taxes, with a judge

ordering him to sell his $1.5 million house in Hidden Hills, California to help alleviate

some of the $8.15 million he owed the government.

To protect himself, he filed for bankruptcy, but the case was later dismissed because he

filled out the wrong paperwork.

Regardless, he was still on the hook for his crushing tax debt, so he filed for bankruptcy

again in 2013.

According to Sinbad, his money issues were the result of being too generous.

"I took care of my people.

My money went to, like, family.

I didn't do any of that crap."

In order to try to pay off those bills, Sinbad restored to reality television, making a brief

appearance on Celebrity Apprentice before trying out his own series, Sinbad: It's Just

Family, which lasted only one season on WE TV.

Voicework

While we may not see the comedian too often on-screen, we've probably heard him just by

flipping around the TV dial.

Sinbad's comic signature is his highly recognizable voice, and he's put that agile, rapid-fire

delivery to good use with a lot of voice work in kids' animated movies and TV shows.

He played Harold Smiley on Cartoon Network's acclaimed Steven Universe, a forklift named

Roper in Disney's Cars spinoff, Planes, and starred as Eddie on ABC Family's animated

series Slacker Cats.

He's also popped up on Family Guy and American Dad.

Funk band

Sinbad is still a touring comic, but if he's gracing a stage these days, it's pretty likely

that he's doing it as a musician.

After buying a drum kit and learning to play a couple years back, Sinbad formed a band

for the first time in more than 30 years — a jazz-funk group called Memphis Red and the

Stank Nasty Band.

Sinbad fronts the group, singing and playing guitar and drums as his other alter ego, Memphis

Red.

"People couldn't get passed me being in a band.

So I said, let me create an alter ego, so my name is Memphis Red.

He's a whole different cat, man.

He talks like this on stage, he's got a whole different...

He's a whole different dude."

Everything is cyclical

In 2014, Sinbad joked to BET that he's not as prominent as he once was because Hollywood

"would only pick one" black comedian at a time, and that the pre-eminent African-American

comedian of this moment is Kevin Hart.

Still, if you manage to stick around long enough, people eventually remember why they

loved you and come around again — and at the ripe young age of 60, there's still plenty

of time for Sinbad to make a comeback.

Thanks for watching!

Click the Looper icon to subscribe to our YouTube channel.

Plus check out all this cool stuff we know you'll love, too!

For more infomation >> Why We Don't Hear From Sinbad Anymore - Duration: 4:12.

-------------------------------------------

ZAYN, Taylor Swift - I Don't Wanna Live Forever (Fifty Shades Darker) - Duration: 4:15.

♪♪♪

♪ BEEN SITTING EYES WIDE OPEN ♪

♪ BEHIND THESE FOUR WALLS, HOPING YOU'D CALL ♪

♪ IT'S JUST A CRUEL EXISTENCE ♪

♪ LIKE THERE'S NO POINT HOPING AT ALL ♪

♪ BABY, BABY, ♪

♪ I FEEL CRAZY ♪

♪ UP ALL NIGHT, ♪

♪ ALL NIGHT AND EVERY DAY ♪

♪ GIVE ME SOMETHING, ♪

♪ OH, BUT YOU SAY NOTHING ♪

♪ WHAT IS HAPPENING TO ME? ♪

♪ I DON'T WANNA LIVE ♪

♪ FOREVER, ♪

♪ 'CAUSE I KNOW I'LL BE LIVING IN VAIN ♪

♪ AND I DON'T WANNA FIT ♪

♪ WHEREVER ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ I'M SITTING EYES WIDE OPEN ♪

♪ AND I GOT ONE THING STUCK IN MY MIND ♪

♪ WONDERING IF I DODGED A BULLET ♪

♪ OR JUST LOST THE LOVE OF MY LIFE ♪

♪ BABY, BABY, ♪

♪ I FEEL CRAZY ♪

♪ UP ALL NIGHT, ♪

♪ ALL NIGHT AND EVERY DAY ♪

♪ I GAVE YOU SOMETHING, ♪

♪ BUT YOU GAVE ME NOTHING ♪

♪ WHAT IS HAPPENING TO ME? ♪

♪ I DON'T WANNA LIVE ♪

♪ FOREVER, ♪

♪ 'CAUSE I KNOW I'LL BE LIVING IN VAIN ♪

♪ AND I DON'T WANNA FIT ♪

♪ WHEREVER ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ I'VE BEEN LOOKING SAD ♪

♪ IN ALL THE NICEST PLACES ♪

♪ BABY, BABY, ♪

♪ I FEEL CRAZY ♪

♪ I SEE YOU AROUND ♪

♪ IN ALL THESE EMPTY FACES ♪

♪ UP ALL NIGHT, ALL NIGHT ♪

♪ AND EVERY DAY ♪

♪ I'VE BEEN LOOKING SAD ♪

♪ IN ALL THE NICEST PLACES ♪

♪ GIVE ME SOMETHING, ♪

♪ OH, BUT YOU SAY NOTHING ♪

♪ NOW I'M IN A CAB, ♪

♪ I TELL 'EM WHERE YOUR PLACE IS ♪

♪ WHAT IS HAPPENING TO ME? ♪

♪ I DON'T WANNA LIVE ♪

♪ FOREVER, ♪

♪ 'CAUSE I KNOW I'LL BE LIVING IN VAIN ♪

♪ AND I DON'T WANNA FIT ♪

♪ WHEREVER ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ UNTIL YOU COME BACK HOME ♪

For more infomation >> ZAYN, Taylor Swift - I Don't Wanna Live Forever (Fifty Shades Darker) - Duration: 4:15.

-------------------------------------------

ZAYN, Taylor Swift - I Don't Wanna Live Forever (Fifty Shades Darker) - Duration: 4:16.

♪♪♪

♪♪♪

♪ BEEN SITTING EYES WIDE OPEN ♪

♪ BEHIND THESE FOUR WALLS, HOPING YOU'D CALL ♪

♪ IT'S JUST A CRUEL EXISTENCE ♪

♪ LIKE THERE'S NO POINT HOPING AT ALL ♪

♪ BABY, BABY, ♪

♪ I FEEL CRAZY ♪

♪ UP ALL NIGHT, ♪

♪ ALL NIGHT AND EVERY DAY ♪

♪ GIVE ME SOMETHING, ♪

♪ OH, BUT YOU SAY NOTHING ♪

♪ WHAT IS HAPPENING TO ME? ♪

♪ I DON'T WANNA LIVE ♪

♪ FOREVER, ♪

♪ 'CAUSE I KNOW I'LL BE LIVING IN VAIN ♪

♪ AND I DON'T WANNA FIT ♪

♪ WHEREVER ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ I'M SITTING EYES WIDE OPEN ♪

♪ AND I GOT ONE THING STUCK IN MY MIND ♪

♪ WONDERING IF I DODGED A BULLET ♪

♪ OR JUST LOST THE LOVE OF MY LIFE ♪

♪ BABY, BABY, ♪

♪ I FEEL CRAZY ♪

♪ UP ALL NIGHT, ♪

♪ ALL NIGHT AND EVERY DAY ♪

♪ I GAVE YOU SOMETHING, ♪

♪ BUT YOU GAVE ME NOTHING ♪

♪ WHAT IS HAPPENING TO ME? ♪

♪ I DON'T WANNA LIVE ♪

♪ FOREVER, ♪

♪ 'CAUSE I KNOW I'LL BE LIVING IN VAIN ♪

♪ AND I DON'T WANNA FIT ♪

♪ WHEREVER ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ I'VE BEEN LOOKING SAD ♪

♪ IN ALL THE NICEST PLACES ♪

♪ BABY, BABY, ♪

♪ I FEEL CRAZY ♪

♪ I SEE YOU AROUND ♪

♪ IN ALL THESE EMPTY FACES ♪

♪ UP ALL NIGHT, ALL NIGHT ♪

♪ AND EVERY DAY ♪

♪ I'VE BEEN LOOKING SAD ♪

♪ IN ALL THE NICEST PLACES ♪

♪ GIVE ME SOMETHING, ♪

♪ OH, BUT YOU SAY NOTHING ♪

♪ NOW I'M IN A CAB, ♪

♪ I TELL 'EM WHERE YOUR PLACE IS ♪

♪ WHAT IS HAPPENING TO ME? ♪

♪ I DON'T WANNA LIVE ♪

♪ FOREVER, ♪

♪ 'CAUSE I KNOW I'LL BE LIVING IN VAIN ♪

♪ AND I DON'T WANNA FIT ♪

♪ WHEREVER ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ UNTIL YOU COME BACK HOME ♪

For more infomation >> ZAYN, Taylor Swift - I Don't Wanna Live Forever (Fifty Shades Darker) - Duration: 4:16.

-------------------------------------------

ZAYN, Taylor Swift - I Don't Wanna Live Forever (Fifty Shades Darker) - Duration: 4:17.

♪♪♪

♪♪♪

♪ BEEN SITTING EYES WIDE OPEN ♪

♪ BEHIND THESE FOUR WALLS, HOPING YOU'D CALL ♪

♪ IT'S JUST A CRUEL EXISTENCE ♪

♪ LIKE THERE'S NO POINT HOPING AT ALL ♪

♪ BABY, BABY, ♪

♪ I FEEL CRAZY ♪

♪ UP ALL NIGHT, ♪

♪ ALL NIGHT AND EVERY DAY ♪

♪ GIVE ME SOMETHING, ♪

♪ OH, BUT YOU SAY NOTHING ♪

♪ WHAT IS HAPPENING TO ME? ♪

♪ I DON'T WANNA LIVE ♪

♪ FOREVER, ♪

♪ 'CAUSE I KNOW I'LL BE LIVING IN VAIN ♪

♪ AND I DON'T WANNA FIT ♪

♪ WHEREVER ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ I'M SITTING EYES WIDE OPEN ♪

♪ AND I GOT ONE THING STUCK IN MY MIND ♪

♪ WONDERING IF I DODGED A BULLET ♪

♪ OR JUST LOST THE LOVE OF MY LIFE ♪

♪ BABY, BABY, ♪

♪ I FEEL CRAZY ♪

♪ UP ALL NIGHT, ♪

♪ ALL NIGHT AND EVERY DAY ♪

♪ I GAVE YOU SOMETHING, ♪

♪ BUT YOU GAVE ME NOTHING ♪

♪ WHAT IS HAPPENING TO ME? ♪

♪ I DON'T WANNA LIVE ♪

♪ FOREVER, ♪

♪ 'CAUSE I KNOW I'LL BE LIVING IN VAIN ♪

♪ AND I DON'T WANNA FIT ♪

♪ WHEREVER ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ I'VE BEEN LOOKING SAD ♪

♪ IN ALL THE NICEST PLACES ♪

♪ BABY, BABY, ♪

♪ I FEEL CRAZY ♪

♪ I SEE YOU AROUND ♪

♪ IN ALL THESE EMPTY FACES ♪

♪ UP ALL NIGHT, ALL NIGHT ♪

♪ AND EVERY DAY ♪

♪ I'VE BEEN LOOKING SAD ♪

♪ IN ALL THE NICEST PLACES ♪

♪ GIVE ME SOMETHING, ♪

♪ OH, BUT YOU SAY NOTHING ♪

♪ NOW I'M IN A CAB, ♪

♪ I TELL 'EM WHERE YOUR PLACE IS ♪

♪ WHAT IS HAPPENING TO ME? ♪

♪ I DON'T WANNA LIVE ♪

♪ FOREVER, ♪

♪ 'CAUSE I KNOW I'LL BE LIVING IN VAIN ♪

♪ AND I DON'T WANNA FIT ♪

♪ WHEREVER ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ I JUST WANNA KEEP CALLING YOUR NAME ♪

♪ UNTIL YOU COME BACK HOME ♪

♪ UNTIL YOU COME BACK HOME ♪

For more infomation >> ZAYN, Taylor Swift - I Don't Wanna Live Forever (Fifty Shades Darker) - Duration: 4:17.

-------------------------------------------

Screenwriter Studio Notes: Do's and Don'ts by Lee Jessup - Duration: 7:05.

Film Courage: I think we've talked before about how this industry wants to be able to

work with people who are easy to work with.

So if someone is receiving notes, what are some tips that they're resistant (whether

it's in their body language or in the key words that they're using) and vice versa,

showing that they're open?

Lee Jessup: You always want to really listen during a note session.

It's not your time to defend the work.

It's your time to listen, to take physical notes, to jot down thoughts, don't defend

the work.

You know I've had occasions where writers were given a note and an executive called

out something that was a problem and the writer [responded] "It's not a problem!

I don't think it's a problem?

Do you think it's a problem?

It's not a problem!"

That sort of thing is an obvious giveaway that the writer is not listening.

It's listening the to note.

It's listening to the note behind the note.

If there is something that you think truly, truly, truly (the execute), the person giving

you notes didn't get, you can say "Well I tried to illustrate That with This in this

particular scene.

Was that not clear?

You want to always ask those leading questions to find out where you missed the mark because

ultimately, the mark was missed.

Can we assume that once and awhile an executive will miss something?

And yeah, usually they are pretty open to "Oh?

I didn't realize that This connects to That?

Maybe we can do That better.

It's usually very easy to tell when a writer is resistant to a note.

When the writer is instantly defensive.

When the writer becomes sarcastic or passive-aggressive and there's a lot of passive-aggression

that can come out in a note session.

That like "Well!

I thought this or that…but fine!"

I've seen it in note sessions with my writers and I've given some brutal notes.

And there have been people who have just sat down and jotted notes and have said "Okay,

let me go back and think about it."

And there are people who with every note say "Well, I don't know if I necessarily agree

with that but fine!"

So you have those little cues that you know in a minute.

Body language first, dismissal, there can be a judgment of the individual giving notes.

"Well, you're a woman, so naturally you'll think that."

I've certainly gotten that feedback or anything that has to do with You're a Woman.

You're a Mother.

I've gotten that "Well, you're a mother so clearly you couldn't relate to that."

No.

I'm a human being.

For a writer getting notes, try not to dismiss the note giver because ultimately all that

does is sabotage the relationship because what you're saying is, yes you took the

time, you did the work, you read the script and now you're giving me your thoughts but

I'm going to dismiss them because suddenly something about you makes you not good enough

to give those notes.

You're a mother.

You're a woman.

You're white, you're black, you're whatever you are.

But it's really important not to dismiss the note giver (especially not in front of

the note giver).

Oftentimes a writer can receive a note and be perplexed by the note but the thing then

is to look for the note behind the note.

Okay, you gave me a note about X but does it really have to do with Y?

Is this what's bothering you?

You can certainly explore this in a conversation?

You want there to be a dialogue and you want to built a kind of trust where the note giver

knows you're listening, you're paying attention, you're taking those notes so

when you say "Oh, there is one thing that's bumping me.

Can we talk about that a little bit?"

That's not defensive, that's thoughtfulness, saying "There is the one thing.

I agree with your list of 20 other notes, I totally hear you.

We're good.

But there's the one thing that is here and it's bumping me.

Can we go back to that for a minute?

What was it about this character?

This scene?

This pivot?

This escalation that bumped you?

What was it that felt inauthentic?

Was it that?

Could it be something else?"

That to me is dialogue.

And it's differentiating between shutting down the note giver which can be done physically.

Just, I'm no longer interested.

It can be done verbally or getting into a more collaborative environment which is what

executives want to work with.

They don't want a writer to be a Yes-Person.

There is a differences between being a Yes-Person and being collaborative.

Being collaborative will require some pushback on occasion and that's okay.

But you'd better be really thoughtful about your pushback.

You know, that is somebody people want to work with.

"You suggested X. I didn't do X because ultimately I thought it would effect the script

this way BUT the note behind the note implied that Y would work so I tried that this time."

That's being collaborative.

That's not being a Yes-Person.

And the truth of the matter is that a lot of writers think that they're given notes

and the executive just wants them to implement the note verbatim.

I find that to be very rarely the case.

If that was it, the executive would be a writer….you know….they're trying out ideas.

They're trying different things and they want you to try them on for size and see whether

they work or don't work.

So if there is a note that they gave on a previous draft that you did not implement,

they want you to be able to answer why you didn't implement.

They want you to be able to say "Well I tried That and the way that it effected the

script was This…because of That I realized it didn't work and I took it out BUT I did

something else to offset your note."

Film Courage: Wouldn't they want a Yes-Person?

Lee Jessup: No.

Film Courage: Why?

Less Jessup: Because they want the writer to bring their creative juices to it.

That's why they hire a writer with a specific story sensibility, with a particular skill

set, with a particular taste level for a particular project.

Right?

They want someone who will bring their unique sensibilities to the project, otherwise hire

a typist.

Get the script, hire a typist and have a typist type in whatever needs to be typed in.

Of course there are a few executives that are known around town for being really locked

into their notes and they want their notes implemented the way they want them implemented

and that's it and it's not a conversation.

But, by and large, I find that the creative execs, executive producers, producers, development

execs, all are looking for a creative partner as opposed to somebody just looking to execute

on the page.

They can get their assistant to execute on the page.

They don't need you for that.

They are much better off giving the material to their assistant who has a bachelor's

in English Literature to implement some changes, then going back and forth with you.

They don't want you to be a Yes-Person.

They want you to provide your unique story sensibilities.

Your unique writerly touch to make their notes that can be quite sh*tty come singing off

the page.

QUESTION FOR THE VIEWERS: What's the worst note you have received and how did you react?

For more infomation >> Screenwriter Studio Notes: Do's and Don'ts by Lee Jessup - Duration: 7:05.

-------------------------------------------

Sad Scout Tale DON'T WATCH YOU'LL CRY - Duration: 0:49.

Our story starts with a lonely 2fort Scout.

He was sitting in spawn waiting for the match to start, but he doesn't want to fight.

He wants to be friendly

He says, "Cmon' guys, can't we all get just along?"

The Heavy says, "No little man little men do not matter in our world."

The Scout starts crying.

He wants to go back.

He can't stop it.

Scout runs, he runs as far away as he can from 2fort

Scout is dehydrated

"H-H-Help M-Me" Scout says.

*Gibberish*

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