rev up your engines, 1997 Scotty I'm looking at an 09 automatic matrix
with 48,000 original miles for $10,000 the car is very solid but it needs recalls
done is this a good purchase, okay well it's 10 years old and they want 10
grand that's expensive, but the problem is you know they don't make the matrix
anymore and I got one and that's an excellent vehicle, so you're gonna be a
hard time finding one that's only got 48,000 miles on it that's 10 years old
so, the recall is just a bunch of nonsense it's the airbag crap and who
cares about that, you can take it in if you want and they have to put new
airbags in for free that's the law, but realize here's the funny thing they
stopped making the matrixs which I'm really laughing at now cuz, I thought why
did Toyota stop making a matrixs people love them they were great cars, well
it was just a decision that they said they wanted to drop the car from their
line, it's basically a toyota corolla frame and engine and transmission
anyways right, so now I noticed this year now they came out with the Corolla
hatchback, it's a matrix look at it, it looks almost exactly the same they're
just bringing it back and call it a Corolla hatchback instead of calling it
a matrix you know, I mean it's kind of silly that they stopped making them and
now they're basically making the same vehicle only they calling it a Corolla
hatchback, they're great cars I don't know why they decided not to make them
but, now they are making them and just call them Corolla
hatchbacks, wolf says Scotty what are your thoughts on
a 93 Skyline GTR I'm thinking about getting one as a weekend car thanks, well
those were fun cars to drive that's old enough a 93 that was before Renault and
Nissan merge, that's when Nissan was still making really reliable cars, a lot
of guys turn those things into drifter cars, they can really zip around they're
solid made, but here's the thing, a lot of guys use them as drifter cars and
race around in them, you might buy one it might be completely worn out and be a
pile of junk and you're gonna put a fortune into it, so if you are gonna buy
that car find a guy like me a serious mechanic who know his stuff, to go check
that thing out, to see what kind of shape it's in before you throw your money out,
because for example say it's a young kid who's selling it, don't buy it they all
rag the heck out of them you don't want to do that, Damien rink says
Scotty I'm thinking about importing an 03-05 Mercury Grand
Marquis to the Netherlands it'll be my weekend car, won't drive it much, what's
your opinion and reliability on the air suspension, well air suspension systems
are just a pain in the butt, but they ride really nice and you can always fix
them on those, it's still a Ford product now realize that here in the United
States the Grand Marquis are known as grandma and grandpa cars, so if your
grandpa or grandma and you want to go with the flow go right out get one you know I
mean what the heck, and if it's a kind of a cool car maybe in the Netherlands people
don't drive many of those, go right ahead they can last quite some
time you know, they're solid built cars most of them got that big old v8
engine on them they'll run a long time and you say you won't drive it much you
won't care about gas mileage, I know I met people in England that had big old
American sixties muscle cars and they drove them on the weekend to car shows
and stuff they didn't care about the gas mileage so, the orange says hey Scotty I'm
thinking about buying the last generation Pontiac Grand Prix GTP what's
your thought on them, don't buy one unless it's gonna be a weekend toy like
the previous guy was only getting a Grand Marquis and sent it to the Netherlands
and only drive it a little bit one of the reasons Pontiac went extinct was
because of those last generations they had so many problems, I would never buy
any of the front wheel drive Pontiac vehicles, they were mainly all garbage I
got a laugh cuz you remember right before they went extinct they used, Matt
Dillon to do all those voiceovers on their advertisements and then they went out
of business entirely you know, maybe he's bad karma I don't know, Bryan Bissett says
what are your thoughts on an 03 Mustang v6
okay Mustangs I'm a fan of the v8 engines, the v8 engines are the ones that
I really like, I like the v8 engines, I'm not really a fan of the v6 s because
they're kind of underpowered and they don't last as long as the v8, but if
you're not a racer and you just want to pedal around, I have quite a few
customers that are older customers and they like the look of the Mustang but
they're not racers, they never go over the speed limit, if the speed limit is 75
they go 75 and a v6 engine is perfectly fine for that
you know, plus if you're gonna buy a used one, the v6 ones are much lower prices
than the v8s and also since it's the v6, the guys aren't generally as much racier
the v8s most guys race them around, the v6 the people that buy them generally don't
race as much, so you can get a car that probably is n't worn out, so if you never
want to miss another one of my new car repair, videos remember to ring that Bell!
For more infomation >> Here's Why the New Corolla Hatchback is Really a Toyota Matrix - Duration: 5:03.-------------------------------------------
Here's Why The Biggest Loser Is Totally Fake - Duration: 4:09.
NBC's long-running hit reality show The Biggest Loser provided undeniable results for contestants,
like massive weight loss and enormous lifestyle changes.
But was it all legit, and were those changes all positive?
As it turns out, no, not really.
Here's why The Biggest Loser is totally fake.
While contestants appeared to be weighed once a week, that period actually changed based
on filming schedules, according to Season 3 runner-up Kai Hibbard, who has frequently
spoken out about her negative experience on the show.
"I'm saying that it would be most times longer than a week, and I believe once in my season
it was less than a week, but it wasn't always a week, no."
This means audiences at home witnessed large fluctuations in how much weight the contestants
would appear to lose from week to week.
"It's actually 20 days later that you see somebody dropping 30 pounds."
Season 2 contestant Suzanne Mendonca told the New York Post that a show doctor advised
contestants to eat baking soda to fight dehydration, but she alleges that recommendation was designed
to covertly make them retain water and thus be eliminated, so that more dramatic contestants
could stick around.
"Did you take it?"
"No, I did not.
I just walked away from it.
There was no way I was going to ingest baking soda."
Mendonca also told Entertainment Tonight that she regained 130 pounds after leaving the
show.
"There's so many unhealthy things they do on the show that are not sustainable in real
life."
She told the GLOBE,
"I was eating baby food.
I'd wrap myself in garbage bags to sweat.
We would use the sauna for six hours a day.
People were passing out in the doctor's office."
Other contestants went even further with their allegations, claiming staff encouraged them
to take illegal drugs, including Adderall and the FDA-banned weight loss substance ephedra.
2008 contestant Joelle Gwynn, who was coached by Bob Harper, told the New York Post,
"He goes away and his assistant comes in.
He's got this brown paper bag that's bundled up.
He says, 'Take this drug, it'll really help you.'...
I was like, 'What the f--- is this?'
I felt jittery and hyper [after taking it once]."
Authorities launched an inquiry into the show in May 2016.
The program has denied the accusations, saying in a statement,
"We prohibit the use of any illegal substances, in addition to the many other rules and procedures
of the show that are designed to ensure safety."
Past contestants have revealed that the televised weigh-in scale isn't actually even a real
scale.
"When they step on the scale, don't even know their real weight and how much they dropped."
She added that contestants are weighed two days prior to the episode's weigh-in.
An executive producer eventually set rumors about the scale to rest, telling the Today
show that contestants are, indeed, weighed beforehand and the weigh-in on the big, snazzy
scale is just a prop used for television.
Contestants desperate to stay on the show sometimes resorted to extreme and dangerous
measures to lose a few last-minute pounds.
Season 1 winner Ryan Benson wrote on his blog that he was so desperate to win that he abstained
from eating solid food for the last ten days before the final weigh-in.
And for the entire last day, Benson claims he put absolutely nothing in his body, not
even water.
He wrote,
"In the final 24 hours I probably dropped 10-13 lbs. in just pure water weight.
By the time of the final weigh-in I was peeing blood."
"I sat in a sauna, and I ran on a treadmill in a rubber suit and did whatever I could,
you know, it was very unhealthy what I did."
While the show made it clear that contestants were exercising constantly, it didn't show
just how much.
According to The Guardian, competitors were actually grinding out six to eight hours worth
of exercise a day.
Not only is this far more workout time than is recommended by doctors, it's also much
more than the average person could reasonably commit to.
"I can't…"
"YES YOU CAN!
Don't you can't me."
A National Institute of Health study confirmed several contestants' claims that the show
wreaked havoc on their metabolisms and left them prone to quickly gain back the weight
they lost, and more, after returning to regular life.
The show has denied the allegations.
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A Rare Opportunity to Get Access to Me | Biz Dev Barter - Duration: 2:44.
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Finding Unique Camera Angles - Duration: 8:22.
Platypod, platypod do you like the platypod?
Would you like it hare or there would you like it anywhere? Would you like it in a house?
Would you like it with a mouse? Would you like it in a box. Would you like it with some lox?
Would you like it high or low would you like it on the go?
Would you use it on a car trying to try it you'll go far you can use it. You will see it's as easy as
1-2-3 the best tripod is always the one that you have with you
Hi, this is JP Morgan filmmaking and stills are about getting unique images, images that no one else gets. Most people stand
At this height and that's the image they get today
We're going to talk about unique
angles with a device the plateau pod that allows us to get our camera in places that tripods can't always get to and
It gives us the ability to carry it with us wherever we go
Now do I hate tripods know I love tripods I use them every single day
But there's a platter pod help me get interesting and unique angles. Yes, it does and let's take a look at someone
one of the reasons that I love the plateau pod is because they've got a couple of different sizes and it's just really easy to
Keep it with me. I've got the Platypus Mac. So it's better for larger cameras
We use the c200 on this all the time. Then you got the platypus ultra, which is better for smaller cameras
You can put a plate on this either one of these and slide it on the camera
So you're shooting on your tripod you say okay?
I want to get a little angle you yank it off and you throw it on the ground and you've got an immediate access to?
a low point you don't even have to reconstruct it because it's on
Your tripod on the plate on the tripod and it's ready to go to work
Put it on your backpack carrot when you're out camping backpacking
Put it on your bag when you're gonna be walking around the street and shooting if you're gonna pull it out and shoot with it
Just easy access easy to have in your camera bag easy to have with you when you're going around the best tripods always the one
You have with you the platter pot is an excellent B camera platform
It makes you put your camera in unique places. You can put your camera on the floor give you a up
look
You can put it on a shelf to be able to look past
Things and to see into your your a scene if you put on a chair, you can screw it to the ceiling
I shot them into the door at the top of a door. So it's just a matter
It makes get that camera and allows you to get that camera into places that you wouldn't put it in normally light to carry
interesting angles great be camera device
So in a museum and put it on the stanchion or replace a little platform here or a little spot there
Can set your camera up and take those long
exposures you'd like to get in a museum that a low ISO to allow you to get the shot that you really want because it's
Not a tripod. It's a platy pod
Sometimes tripods can't get rolling up. The pilot pod gets you just at much lower
So you get that super low angle looking out to make that hero shot
Break four down into the dirt if you're looking into a landscape scene see things in the foreground
It's scraping being on set when you want that low angle to see an actor walking into the scene
I actually have a low profile thing by made by edelkrone that gets that camera
Right down as low as you can get so you drive over it with a car
Just a simple way to get your camera down on the floor
If you're in a crowded place want to slide your tripod in there, sometimes very difficult
We were shooting in Bryce just a couple of weeks ago. There's no room
There was like 30 people trying to get a shot riding this one little spot
We wanted to see down the river
Wouldn't any do he just set the penny pot on a square column that held up the bridge fence that no one could get into
That area because it's a square you kick your tripod up there
He set the Platypus Olivet the top was metal and a little uneven
one screw leveled out the camera and he's looking right down the river the spot that everyone wanted to be and
We got to watch the Sun come up hit that shot
For those super low shots, so you want to get right down on the water
the plateau pod is perfect because you can get the putter putt actually right in the water if you want to and you get a
Camera right there super low on the water or on the rocks
Next to the water give you that super low angle and that rock and water in the foreground
Great way to get your camera down low when you're outside shooting nature and landscape photography
It's a great device for tabletop product photography because you can get your camera right on the table
Right up next to the subject matter that you're shooting when you're using a tripod you hit that point where you got to get over
Got a sling an arm over and that's sometimes very difficult to work with whereas you drop this onto the table
You can look at the back of it and still do your video or your still shot and get right and close right an intimate?
With the product of the things you're shooting makes it very easy to do product photography right in the middle of of the product
We use a platter pot before on a table. We use a card Alenia to lock it down
So it's not going anywhere and then we use that C pan the small C pan arm on that to give us that little sweep
Around to look at the things that we're at the product that's on the table
That is a fabulous look because I can get that little arc looking around that parallax move around the subject matter
so it goes a little arch around keeps the second runner in the middle all the time and
The title pod gives me a base to support that little bout the sea pan arm on
Cardellini locks it to the table. I'm ready to go. One of my favorite things to do with it is get it overhead
Shoot it into the roof. You just just got to places where screws shoot it right into the ceiling
We just did this shoot that we were doing over at a barn had an old rusty board the top boards get rusty
Well, it's got an old warped board the top when you shot a couple screws screws in it now
I've got an overhead camera angle. That was excellent
So it's just easy to be able to to get it up there and shoot a couple screws and look down if we do it
Inside on our set on the side lens. We shoot it into the 2x4 overhead, and we've got a camera suspended from overhead
So it's a great way to stabilize your camera and be able to see from overhead
This is one that I never
Really thought about but we've started to use and all of a sudden it's opened up a huge world for me
Now that's strapping it to a tree the first time I said strapping it to a tree
I mean how many times are gonna strap this thing to a tree?
You know
I mean it just it seems so obscure to me
But what's happened is we have kind of taken on that thought and we start to strap it to things in the scene
We just wrapped it to a fence
Over the Krell's where the horse training in the facility it we shot out a couple of days ago
So it's right there on the fence. It's not on the side of the fence that it's right there
Just looking straight down the fence
It allows you to strap it to things to get it into places that normally you wouldn't be able to get your camera
So strapping it to things not just trees
telephone poles
Parking meters a fence any service we can get a strap around tighten up gives you the ability to get a shot
But normally you would never get it's a very interesting concept to strap it to things to get those really unique angles it comes with
a strap
So you can strap it around things with a double clip on it. So you pull it tight
You can secure your camera and can shoot video or stills and just go to town
Did an entire lesson on this topic that is getting it into tight places
Into a microwave into a fridge into I mean, I love shooting in really those interesting places looking out
So it's the Mel box looking out its the microwave looking out. It's the fridge looking out
I'd love to get one or two of those shots just about every time we do a commercial every time we do and it kind
Of pieces. I want it to look interesting. I want the covers to open. I've got a camera sitting there
This makes it super faster to get my camera into place
Position it get my shot and go on and that's the thing that I want
I want speed and I'd be able to move fast pull my camera off the tripod. It's got the plighted pot it
Shove it on to the into the microwave
Open it up. Take my shot close it pull the camera out back on the tripod and off we go
so there you have it unique angles of the plant pot look for ways to use it why I use it is the
First point I made in the lesson and that is because it makes me put the camera in
places that I normally wouldn't put it and
That I think is a great way to make you get interesting shots and interesting angles and then make your video and your stills even
Look better. So make yourself put the camera in places. You wouldn't have thought of before keep those cameras rolling. Keep on clicking
Welcome to our food photography masterclass
You're gonna learn so much about food take it from the beginning to intermediate to even some advanced techniques here
We're gonna take you through seven different
setups everything from natural light to using strobe in the studio and show you how you can use lighting to help tell a story and
your food photos
We're also gonna show you all the gadgets and the little tools that you can have in your studio to help you get those great
Shots you're looking for click the button below and download. Wait a second. Keep those tails rolling and keep on clicking
Make sure you subscribe to the slanted Lou's push on the button subscribe to the slanted lens
We're gonna give you great content each and every week. I want you to be one of our subscribers
You can also follow us on Facebook
You can like us follow us do all those kinds of things in the different platforms. Get with us on Instagram
We have great things coming out on Instagram each
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The Nicest Christmas Ever - Duration: 3:00.
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Saw Katrina kaif here..❤️ - Duration: 10:42.
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Surnames Are Garbage, And Here's Why - Duration: 2:50.
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Here's what you can donate to Can-A-Thon - Duration: 1:26.
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Phanta Claus Is Here! Phillies Annual Christmas Tree Lighting To Kick Off This Weekend - Duration: 1:18.
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It Happens Here: Making Candy Canes By Hand In Gardner - Duration: 2:12.
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What you will find here on VCM- Video Content Marketing - Duration: 2:23.
Welcome to Video Content marketing! I am michael feyrer Jr
On this channel you will find a Live tutorial every tuesday at 1PM est
covering topics like Search Engine Optimization,
De Mystifying Youtube analytics,
tag, Title and thumbnail optimization,
sales funnels and other monetization strategies that you can use to earn money on YouTube.
Whether you have 10 subscribers or 100k these tutorials will help any content creator
grow their Channel and earn money on Youtube.
On Thursday I will release a video tailored toward monetization strategies based on your Youtube skills.
This could be anything from selling online courses to using your footage as stock footage to sell online.
On Thursday's you will also find videos tailored towards growing your influence
on other social Media platforms like Facebook, Instagram and twitter.
The Anchor of the channel is a love broadcast Every Single day at 10AM est
Titled The Best Hour of My Day
This is a community show meant to encourage content creators
to collaborate and exchange ideas about YouTube growth and monetization strategies.
On the best Hour of My Day you will find plenty of opportunities to
collaborate, grow get support from all kinds of other like minded Youtube creators. And mots importantly
Learn more about the people behind the camera
If growing your channel, finding like minded creators to collaborate with
Or earning some money on Youtube is something you're interested in
Elevate your strategy by clicking that subscribe button
Also click on that bell so you will be notified the next time an opportunity arrives for you to grow and learn.
Until next time be good to each other and lend a hand to your fellow creator
It all comes back around in the end. Market like a boss. VCM out!
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