Dear Viewers, Welcome to Paper Pyramid making Tutorial
You will need 1 piece 20cm x 20cm square paper for making Origami Pyramid.
Please follow the instruction step by step for making an Amazing Pyramid.
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How to Make Paper Rose Flower | Very Easy and Simple to make Paper Rose|DIY PAPER ROSE|Paper crafts - Duration: 7:22.Welcome to my channel. Today i show you how to make paper rose.
diy paper rose make is not hard, try one or time you will
make origami paper rose. If you want to make please
Please follow my step by step instruction.
Don't forget to Subscribe like, comment and share if you like this video.
Thank you very much for watching this video.
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Barbie Doll Cake Decorating Tutorial - How to Make Barbie Doll Cake Decorating - Duration: 1:01.Thanks for watching!
Thanks for watching!
Hope you have a great time
Please, like, share, comment and subscribe for more!
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How to Make Wall Hanging/Wall Decoration Ideas/Diy Wall Hanging/Wall Hanging Craft Ideas/ Wall Craft - Duration: 5:19.
Please Like This Video
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How to make paper bird with simple folds by Art House | DIY for origami paper bird - Duration: 10:03.https://www.infolips.com/
How to make paper wolf
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Learn Colors Kinetic Sand Rainbow House Cars with Dinosaurios How to Make for Kids Nursery Rhymes - Duration: 4:26.Learn Colors Kinetic Sand Rainbow House Cars with Dinosaurios How to Make for Kids Nursery Rhymes
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How To Make a Robotic Arm - Homemade Robotic Hand - Duration: 3:28.How To Make a Robotic Arm - Homemade Robotic Hand
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How to make the oscilloscope DSO150 stand-alone. Battery Pack Kit - Duration: 11:09.Hello everyone! Every beginning amateur radio at some particular moment
need an oscillograph I took myself to begin with DSO150
This is a good little oscilloscope, but it has the disadvantage of
despite its size it is absolutely not portable
that is, it only works from a power supply so if I want to measure
in some place where there is no network 220 then I can no longer use the oscilloscope
But there is a ready-made solution which will help make this oscilloscope portable
Let's go! to make the oscilloscope portable
There is a special set a specially modified rear part of the housing
This modification will help to make the oscilloscope absolutely portable
in the kit there is a step-up converter and
battery charger switch and special glass
for displaying the charger indication outside so you can see
Did the battery charge up or not? internal dimensions for the battery
rather large, and you can insert battery
measuring 73 by 55 millimeters and 5.5 mm thick
can be inserted inside large thick battery
this set looks like this way back
back cover. Here the attachment for internal circuit. In height, you can see
that it is much thicker than the original back cover this is done in order to
could be put here in this compartment a pretty large battery
you can put the battery large capacity
Also included is a switch glass to transfer light from the charger
self charger based on TP4056
for the charger and for the up converter
in the body are already made special notches where these parts are inserted
and a converter in order to power the oscilloscope
the converter is placed here. Here everything is very simple
Included also is a guide which shows where and how to connect,
the location of the battery, what dimensions of the battery can I put
how everything is inserted no difficulties
should not arise the only thing we still need it
special protective diode here is the diode 1n5819
but you can put almost any also need a capacitor
here it is indicated on 220 microfarads of 16 volts but any one within the range of 100 microfarads
and higher. I have such a capacitor you can put a tantalum capacitor
for example, such, or any other which ones will be more convenient for you to use
So let's get to the assembly The biggest battery I have
which can be suitable for the design of this Here such. The first thing we need
This change in the charger resistor defining the current so that the charging current is
the corresponding battery by default there is a resistor for 1 ampere current
but 1 amp for this battery is too much
so I'll put it within 500 to 750 milliamps. Also worth mentioning:
this kit may contain two different types of charging
in this case I have a mini USB connector But it can also be with
microUSB connector. That is, you can choose in the store the one that
you most suited. All links will be in the description.
You can choose this type of connector charger connector
as for you will be convenient. Now I will replace this resistor. And so a 1.2k resistor
We have already removed, and now We need to insert another resistor
I'll put a 2.2 k resistor the charge current will be approximately 500 milliamperes
Resistor soldered to 2.2 kΩ the charge current is set to approximately
500 ma Now proceed to
further assembly take the body and insert it
Charger It is easy to install
now take the glass which is intended for the direction of light
here is a special place for its installation carefully put
now the light from the charger will be displayed here at this point
Let's start assembling electronics The wire is soldered to the battery
this wire we solder to contacts Battery + and Battery- Charger
Power cord soldered you can now connect the charger
as you can see the red LED this indicates that the charging is in progress
and everything is fine check by voltmeter output voltage after protection
as you see 3.74 volts Great, then you can now solder
boost converter and customize it
[music]
this assembly is only for to adjust this boost converter
now check what voltage will be at the output
The voltage began to increase We need to raise it to about 9 volts
that's 9.1 volts, quite normal on these contacts I will install a capacitor
in the gap of this wire you need to put a switch
this switch which will stand here in the corps
so this wire is soldered And instead of it we will put the switch
the switch is soldered, Now you can collect everything
still need make and exit with
converter install the switch
the switch is tough does not stagger
The switch peeps out this side it's easy to turn it off. Now we begin
disassembly of the oscilloscope dso150 the bolts are already untwisted so I just
neatly disclose
You need to unscrew this card
bolts still useful to us the card will be installed on top of the battery
but before we install the board We need to connect the power to the oscilloscope
to the main board on the oscilloscope board is
socket for additional connector I did not solder this socket, and it was to this connector
we will connect to the "+" contact we will connect the diode
and to "-" we will connect a minus from converter. The diode is soldered.
through which it will feed "+" power. The excess should be cut off, and here we solder
wires that will supply "+" power for isolation I will
use a piece of heat shrink
to the second contact solder "gnd" supply gently turn over
we cut off excess contact now go to the converter
we connect "-" and "+". All right, all is collected.
now check to see if this will work or not turn on the converter
and the oscilloscope is on The oscilloscope will now show interference
it means that the oscilloscope was switched on in the test mode
but the oscilloscope turned on! excellent! turn off, and now
completely collect it so that the battery does not hang
I'll use gasket
of soft packing material all the wires are neatly located inside
do not forget to put a glass In addition I will put the gasket, like this
in order for the battery to accidentally not short-circuited with the board of the oscilloscope
install the board and screw it now neatly
we collect all the rest
Put on the lid, you just have to twist it and the oscilloscope has become fully autonomous
As you can see it works It works fine
it remains only to screw the screws And put the adjustment knob
And so, the oscilloscope became fully autonomous Now you can take it
anywhere and not depend on external power supply
quality of the material is good material - strong plastic
pleasant to the touch, and besides all goes in the complete set as a charger
and a step-up module that is, you just need to collect and use
I really, really recommend this rework! To make your oscilloscope completely autonomous
and that you can use it in all conditions
all links will be in the description. Once again, I recommend it! subscribe to the channel
leave your feedback. Bye everyone!
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How to make a Beautiful Amazon Water Lily Pad for kids-easy paper ideas - Duration: 11:48.
Amazon lily pad
Water lily pad
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In the Bender Kitchen: Chef Mark Vecchitto shows us how to make liquid popcorn - Duration: 5:17. For more infomation >> In the Bender Kitchen: Chef Mark Vecchitto shows us how to make liquid popcorn - Duration: 5:17.-------------------------------------------
How To Make Cake In A Mug - An Easy To Make Treat For Kids - Duration: 4:10.
How To Make Cake In A Mug - An Easy To Make Treat For KidsYou
Kaito chocolate cake in a mug there comes a time in everyone's
ketogenic life where you crave something sweet cookies brownies cake
But there's nothing that you've pre-made in nothing that is low carb laying around in under five minutes
You can have a chocolate cake that's rich delicious and sure to slam those cravings straight into the ground cake in a mug
chocolate cake in a mug that is
Absolutely divine and tastes just like you spent 45 minutes
Slaving away baking and in the oven the key to the perfect consistency is the egg?
combined with the absorptive powers of the coconut flour and the rising properties of the almond flour
The egg will coax the cake to rise even higher than you might expect and provide an extremely decadent
consistency ingredients 1 1 large egg 2 point 2 tablespoons salted butter 3
2 tablespoons almond flour 4 2 tablespoons unsweetened cocoa powder 5
1 in 1/2 tablespoons area 3 tall 6 2 teaspoons coconut flour
7 1/4 teaspoon vanilla extract
8 1/2 teaspoon baking powder
instructions 1 measure out 2 tablespoons butter and put it inside the mug you will be using to
Microwave the butter for 2025 seconds until it mostly melted and hot add your sweetener to the melted butter
Note you can use any low carb low
glycemic sweetener for this read more at the best low carb sweeteners 3 add your 2
tablespoons cocoa powder to the butter 4 and your coconut flour almond flour
Baking powder and vanilla 5 don't forget the egg it will help the cake rise 6 mix the ingredients
Well until everything is combined, and there's as little lumps as you can get if you are going to make 2 servings
This is the point where you would measure the batter out into 2 mugs or two ramens?
seven microwave the cake for 60 75 seconds it takes
75 seconds in my microwave if you are making two servings
probably 50 60
Seconds would do the best
I never make two servings because I'm greedy eight while you're waiting for the cake to cook whip some cream in the mixing bowl
Optional 9 let the cake cool for a moment and spoon on the whipped cream optional
chocolate mug cake
405 calories
36.9 four grams fats five point eight six grams net carbs and twelve point three one grams protein
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How To Make Birdy Boho Earrings: Jewelry Making Tutoria - Duration: 10:05.We found a strand of these darling mother-of-pearl bird beads at a bead
show and we thought that these would make a delightful pair of earrings so
we're going to show you how to make the pair to this earring. Essentially it's a
hodgepodge of beads, a leaf charm and some bicones and we're going to show you
how easy it is to make this. The first thing you want to do is take a head pin
and we're going to use this head pin to make the first of our three dangles. I've
got my bicone crystal bead here. This is just a four millimeter bicone crystal
bead and I'm feeding it onto a head pin and I'm going to make a wrapped loop to
make my first dangling component. So to do that I'm using round-nose pliers, I'm
going to grasp the wire of my head pin right above my bicone crystal here and
I'm going to bend the wire toward me 90 degrees. Then I'm going to reposition my
pliers to the top of that little bend so that I'm grasping it at the 90 degree
bend but I'm going to bend that wire up and over the top jaw of my pliers, away
from me. And that makes the start of a loop. Then I'm going to take my pliers
and put the bottom jaw in that loop and finish pulling the loop around to finish
the loop like that. Then I'm going to grasp the loop across with my round-nose
pliers and I'm going to wrap the tail around the neck of that head pin two
times. And what that does is it secures that loop so that the bead won't slide
off and the loop won't open. Now I'm going to take my wire cutters and I'm
going to trim that wire and I've got a little end sticking up. This happens a
lot when you're doing wire work. I'm going to use my chain-nose pliers and
I'm just going to press that little end down just because we don't want any
pokey little pokey ends. And there's our first little beaded component,
see it there. And we're going to make two more of our little dangling components.
This time we're going to use wire. This is just 24-gauge gold wire. I'm going to
cut about a three-inch length of wire and I'm going to I'll start with the
leaf for fun. I'm going to feed the wire through my leaf, just like that. And then
I'm going to pinch the wire up over the top of the leaf so that my wire sort of
crisscross like that I'm going to bend one of them 90 degrees and then the
other one sort of straight up. And I'm just using my fingers and fingernails
for this. It just makes it easier. Then I'm going to make a wrapped loop and to
do that I'm going to use my round-nose pliers and I'm going to hold on to that
crisscross and I'm going to take the wire that I've bent at a 90 degree angle
and I'm going to wrap it around that neck like that and that way that wire
won't, or the bead won't, come off. I'm going to use my wire cutters to trim
that little end there. And then I'm going to make a wrapped loop in the top of
this. So to do that I'm going to do what we just did with that bicone bead, I'm
grabbing the wire right above where I made that first loop, I'm going to bend
the wire 90 degrees toward me, reposition the pliers, wrap the wire up and over
that top jaw, reposition to the bottom jaw, pull the wire around to finish the
loop, and then I'm going to wrap the loop by grasping the loop across with my
pliers and pulling the wire around two times, like that. And these wires kind of
overlap each other from the other loop or the other wrap and that's just fine.
I'm going to trim and then I see I've got a couple ends sticking up here so
I'm going to use my chain-nose pliers to press those ends down so they're not
sticking up. There's my second little dangling component. And for my third one
I've got a briolette bead and it's kind of similar to the leaf, so we're going to
do it the same way. I'm going to cut about a three
inch piece of wire here. This is of our 24 gauge wire. And I'm going to feed it
through the hole in my briolette. I'm going to do the same thing I did with
the leaf which is pinch the wire up and over the top of that briolette so they
crisscross. I'm going to bend one of the wires 90 degrees like that at the
crisscross and the other one I'm just going to use my fingernail make it kind
of stick straight up and then I'm going to wrap this the same way we've been
doing. I'm going to use my round-nose pliers to grasp that little crisscross,
pull the wire around the neck like that to make a little wrap, and then I'm going
to trim the wire. And then I'm going to make a loop: grasp the wire right above
where I just made that loop, bend the wire 90 degrees toward me, reposition the
pliers to the top of the bend, pull the wire around the top jaw, and I'm bending
that wire away from me. I'm going to reposition the pliers to the bottom jaw
and then pull that wire around to finish my loop. So I've got a finished loop
there. I'm going to grasp the loop across with my round nose pliers and I'm going
to wrap the wire around two times. And again I'm kind of overlapping or meeting
up with that initial wrap that I did. And now I'm going to use my wire cutters to
trim and then I'm going to use my chain nose pliers to press down any ends that
are sticking up, like that. I'm also going to straighten up my loop a little
bit. Here we go. So that's my third little dangle. Now it's the super fun part we're
going to assemble our whole earring with our special bead, our bird. To do that I'm
going to cut about a four inch piece of my 24-gauge wire and I'm going to make a
wrapped loop at one end of this piece of wire. So I've come down
probably about an inch there, a little over an inch, and I'm going to bend my wire 90
degrees like I've been doing, reposition the pliers, pull the wire up and over the
top jaw, reposition again to the bottom jaw, and pull the wire around. Now I've
got a loop. I'm going to grasp the loop with my pliers and then wrap this little
tail around the neck two times. And that's my wrapped loop. I'll use my wire
cutters to trim and I'll use my chain nose pliers to press that little end
down, so I've got a little end there. There we go and now I can assemble my
little center component here. We're making this piece that we're going to
add these dangles to. So to do that I've got my bicone first and I'm going to
slide on my bird and then my second bicone.
And now I'm going to start to make my wrapped loop, but I'm not going to wrap
the loop yet. So I'm grasping my wire right above that bead with my round-nose
pliers. I'm going to make a 90 degree bend, reposition the pliers so they're at
the the top of that bend, I'm gonna pull the wire up and over that jaw away from
me, reposition the pliers so the bottom jaw is now in the loop, and pull that
wire around. But I'm not going to wrap this loop yet. Instead I'm going to feed
on my dangles. So to do that I've got my briolette first then I've got my leaf
because I kind of want my leaf in the middle and then my bicone crystal and
now I'm gonna kind of pull them down into that little loop make sure they're
down in my loop like that. See they're nestled down in there. I'm going to use
my round-nose pliers and I'm going to grasp the loop across just like I've
been doing all along. It's a little bit trickier with my dangles there but you
can just make sure your dangles are down at the bottom of the loop like that. And
now I'm going to wrap the loop by pulling that tail around this neck two
times. And I'm going to trim and I'll use my chain nose pliers to press that
little end down cause I see I've got a little end sticking out. There we go. And
now to make this into a proper earring we've got an earring wire. And what I'm
going to do is just slide the loop under the earring wire and then when I get to
the part where it won't go past I'm going to use my chain nose pliers to
just slightly open that loop until the bird earring falls down in that little
little loop and then I can close it back up. And now I've got a darling pair of
Birdy Boho Earrings.
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The amazing benefits of kefir and how to make it yourself - Duration: 3:20.- Hi guys, I thought I'd show you how incredibly
simple it is for you to make your own homemade kefir.
So this is my latest batch of kefir,
which is a fermented milk drink.
It's been drunk for centuries in places
like Russia and Turkey, and it's got a nice tangy,
slightly sour taste that I really like,
so I will just have this as a drink.
It's also incredibly good for you.
Just to give you a few of its very many health benefits,
it's an incredibly good source of probiotics,
much more so than yoghurt, for example.
There's about 30 strains of bacteria in here,
so exceptionally good for your gut health.
It can help with lots of different digestive issues.
It's also really good at boosting your immune system
and protecting your bone health,
so protecting you against osteoporosis,
not only because of its calcium content
but also because it contains vitamin K2,
which helps our body to actually assimilate
that calcium into our bones.
It's super simple to make.
The easiest way that I have found to make it
which is pretty fool proof, is to use these starter grains
from The Kefir Company which you can buy online.
And you get a little sachet of starter grains like this
which you just add to a litre of milk, mix it up,
you leave it for 48 hours and at the end of that,
you have kefir, like this.
Now I use cow's milk, I use organic,
full fat cow's milk to make my kefir,
but you can use all different types of milk.
You can use plant milk, you can even use water.
There's loads of different ways that you can enjoy this.
Just to show you what it looks like at this stage.
I'm using a wooden spoon because metal can sometimes react
with kefir, so I'm using a wooden spoon.
It's got a sort of set, curdled consistency.
It doesn't look very appetising, I have to admit.
But once it's all mixed up, it goes really smooth and nice.
But this is exactly what it should look like.
It looks like something that's gone very wrong.
All I'm gonna do is get a clean jar
and put three tablespoons of the existing kefir
into this new jar,
and then I've got some of my full fat organic milk,
which I'm going to add.
And then all you do is give that a mix.
I'm gonna put the top on and that will just sit
on my kitchen top and that will be ready in 24 hours.
And then you can then make another batch from that
and keep it going.
That's how easy it is to make,
it literally just took a few seconds
and it's really delicious and has such an amazing array
of health benefits that you might wanna give it a go,
and if you do, please do leave me a comment.
Let me know how you get on.
I hope you enjoyed my little kefir demonstration
and thank you so much for watching.
Bye.
(calm music)
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How to Make a Silicone Mold and Cast Pewter! - Duration: 21:33.Good morning! I'm Morgan Donner and today's video has nothing to do with
historical sewing, but that's okay, it's at least tangentially related because I'm
gonna be doing some experimenting making historical style jewelry from pewter and silicone molds.
A friend of mine, Centuries-Sewing, has recently been giving her hand
at trying to make historical jewelry based off of paintings in 3D modeling programs.
If you're not familiar with 3D modeling, it's really cool stuff, my
husband has made some really beautiful pieces, that he then sent to a company
that prints 3D models in metal and when they came back, they were gorgeous!
But, the main problem with that is that it tends to be a little bit pricey.
You do have the option to print out your stuff in plastic, which is great and way more
affordable but who wants to wear plastic jewelry?
So my friend asked me if I can
make a mold of one of those plastic 3D prints and then cast pewter into that mold.
I've never done anything like that before but it's a really good idea and
I'm excited to give it a try! So here's the plastic positive that she
sent me and it's super cute, but I can already see some issues with this print
for example these little rings here are gonna be way too small to try and cast
in pewter, but the thickness of the piece itself overall is good - that should cast OK,
so it's mainly these rings that we have a little bit of an issue with.
So I took one of these plastic prints that she sent me and added a two-part putty
called Green Stuff, as you might be able to guess why.... and added some to try and
make these hoops a little bit thicker. They're not A LOT thicker but they're
thick enough now that I think that they will cast a little bit better?
I'm at least giving it a better chance of success right?
Now that I've got my positive, that I want to make a duplicate of, I need to build myself a mold box and
then pour in my mold substance. I've seen people make mold boxes out of a number
of different materials: wood, plastic, metal, so on - a really affordable option that
I've seen is people using a sort of plastic corrugated board, so it's very
similar to cardboard but completely plastic! Unfortunately, I wasn't able to
get a hold of some today, and I could just be patient and try this video later but
I don't feel like it! I want to do it now! So I ran around my house looking for
something that might work, and this is what I've stumbled upon! A plain old
normal three-ring binder! Now the downside of this guy is that, almost
certainly, it's going to be filled with a papery cardboard inside which is not
great but you don't know until you try right!
So I'm gonna go ahead and start cutting this guy up to be our mold box.
Ignore this! Pretend that's not there.
Oh goodness! OMG, guys this is gonna be a major lesson in for the love of God,
do not do what I am doing! Just go ahead and buy some mold-making kits online,
they are not expensive, I'm just impatient! Ugh, okay! that was the worst guys
seriously don't do that so I'm just going to do some really bad scoring
lines here da-da-dah next up I've got my handy
dandy glue gun that I probably haven't touched in a year and a half so let's
see if it's still working definitely not warm yet all right so
while I'm waiting for my glue gun to heat up let's start worrying about the
pour spout for my pewter the first pour my silicone is definitely going to go
with this being face-up which is good and fine and all and I want to go ahead
and make my pour spout this way now normally what you would do to create the
kind of distance between the because you want your piece to be in the middle of
your mold so in a perfect world I would have some sulfur free like non dry clay
that I would put in the bottom here I'd put this on top and then I'd pour in my
mold making compound unfortunately kind of the theme of the episode today is I
don't have that so so if you imagine here if you imagine that I've completed
my mold and that I now need a pour pewter into the cavity of the mold I
want to have a funnel to pour the pewter into if possible you want that to be a
nice like good wide funnel to get as much metal in as you can to help fill
out all the little fiddly bits you know what actually now that I think about it
I'm I am I'm gonna have a mold where the funnel is flat on one side and then the
rest of the funnel is created upward and that's just gonna be what it's gonna be
not sorry about it so my little box here needs to not have any spaces there
because we're gonna fill that with mold making silicone later and I don't want
silicone dues out the sides time for some glue gunning
so we're going to try and glue these sides in it doesn't need to be pretty it
just needs to be sealed
on it Oh nope nope nope still not done literally waiting for glue to dry or
cool down in this place case okay we're starting to get someplace it's still a
warm but at least it's not falling apart so let's go ahead and give a try number
two
uh why get off me I seriously forgot how awful hot glue is
it's kind of the worst okay so this is very far from beautiful I'm gonna go
ahead and do the inner corners as well
okay so we have an awful silicone mold box now guys this is like SuperDuper a
lesson in how not to do this it's kind of ridiculous okay so I'm gonna do it
big blob the blue on the bottom there put it approximately there I'm doing it
off centered because I want to have lots of room for my eventual sprue here we go
I don't have very much of it but I've got a little bit of clay and I'm gonna
go ahead and use to make my sprue kind of as per our discussion earlier this is
basically what sprue looks like
so it's not pretty but it's a screw so I'm gonna try and oh god don't move just
stay where you are so in case you're wondering about these two glue buck lobs
there those are gonna become registration marks whenever we do the
other half of the mold all right so now comes the super exciting mold part so I
have not made a mold with the mold max three mold max sixty but from what I
understand it's supposed to be good for high heat products like casting and
pewter so in theory it's what I want so let's take a look
it comes in quite a big container shake well before using apparently this is the
compound and then instructions so let's take a quick look at that mix ratio 100
parts of a which I'm betting you yep is this big guy 100 parts of a buy three
parts of B by weight pot life of 40 minutes
okay so I have about forty minutes of working time which is plenty your time
is 24 hours so that means that I won't be messing with my mold again for a
whole nother day all right so now comes one of the really exciting parts we are
going to or our mold no pull tab okay oh okay so here's what this looks like
so I have a couple different ways that I could easily measure this out I'm gonna
start with 33 grams of the red stuff of Part A two one gram of Part B and see if
that's enough or whether or not I'm gonna need more to fill this little box
so we're gonna see what 33 grams looks like in here giving this a quick little
stir so this is zeroed out with my cup all right so let's just I guess start
start making it happen whew Wow so we are already at 33 grams
there's no way that that's enough so let's go ahead let's see take a look at
66 grams yep that's not enough we're just gonna
go all the way to a hundred because I think 100 might be enough for 95 we're
super close ninety-nine a hundred grams okay so we are all done with our hundred
parts of mold max sixty part a and we're gonna try adding those itty-bitty three
parts of 60 so I'm a little bit leery of my ability this is very liquidy to just
pour in only three grams of this so I've got this little bitty pipette which I'm
gonna use to drop drop my three grams in with Oh shake well let me listen to the
instructions Dean Oh God okay it's very blue oh and it smells okay let's pipe
out some here we go got my little pipette here full of blue
and I want to get this to 103
okay oh no oh no oh God it turned off okay that's not good well
I did one pipette full oh it's like not even registering this as there we go I
finally got it to one Oh nope it went back down to zero what the hell
oh God oh that was terrible okay nevermind it's
like it's kind of a waste of time to do the pipette thing Oh got and we found it
for okay well now it's back to three I don't know we are definitely more than
enough and I'm going to have to clean up all these little blue drops on my table
but first let's go ahead and get this monster done the instructions say to
stir this vigorously for three minutes so let's go ahead and get that going who
look cool me show you I've got kind of a swirly texture is this interesting stuff
okay let's go ahead and get that stirred in so here's my little mold and I'm oh
whoops then the blue stuff got on there oh well and I'm gonna pour it into the
corner here oh no that was way too much in one lump but oh well because I know
you you want to do it kind of like one continuous really thin pour so that it
pours around the rest of it without you introducing a bunch of air now a lot of
people will instruct you to use a vacuum to try and get out all of the bubbles in
the mold I don't have one so we're just not gonna do it okay so we are about
done so there we go my cup is empty we're gonna go ahead and
let this sit my beautiful mold here I can't really show you but we're gonna
let this hang out overnight and see what it looks like tomorrow all right so it's
the next day and this has had a more than 24 hours to go ahead and dry out
and become fully cured and hardened hopefully so I'm super excited to open
this up and see what we got okay come on open up
this might be where the experimental part of this coming in like maybe
silicone and 3d prints don't play nicely I don't know come on maybe it is time
for some tweezers so let me go get some so here's my crappy tweezers that I
don't really care very much about okay so all this this what I'm pulling off
right now that is the hot glue that I use to
secure my piece down to the cardboard originally so that is what's being
difficult here it has nothing to do with the silicone it's the hot glue trying
really hard to stick to the surface of the 3d print so now what I have to do it
decide whether or not I want to do a back piece like I kind of originally
planned or just run straight into front I admit I'm kind of tempted to be lazy
well adding a second piece is not going to improve how well it pours so you know
what let's go for it
all right so here's what it looks like once it's been pull out of my mold some
things I can already see that is a piece that probably should have stayed in my
mold so that is no longer going to cast as a hole on my my mold here since it's
ripped out I would recommend that if you were going to try doing something
similar to this you would definitely want to put your mold line right in the
middle of these loops instead of flush with the back end it would have been
better if I had done it in the middle of my pretty little loop sir oh well that's
okay this is just for funsies so here's what my mold looks like when all is said
and done it's pretty cool you can even see some of the little striation like
print marks in the mold itself which means that I bet you whenever we go
ahead and cast this in pewter we're probably going to also still be able to
see those print mark striations which isn't exactly a perk if you're trying to
go for a historical jewelry obviously they wouldn't have had print marks but
that is light it's just cool it's so neat the next up we're gonna want to
cast pewter into our big old sprue there but I'm gonna need a backing plate I
have a bunch of options that I could use I will probably go for wood since
usually you want to go ahead and back this side of a mold with wood as well
you don't want this flexing at all as you're pouring so I'm also going to
clean up some of these uh kind of raised edges so I have a nice flat surface to
deal with so I'm gonna do that real quick
all right I am just simply too impatient to wait I'm gonna try and see if I can
get this guy to cast at all with my current molten pewter so I'm just going
to use the back of one of my other molds as I mentioned before I really should
have a whole nother hard piece here on the back to help prevent my thumb from
distorting the design but hopefully we can get away with it anyway takes a
second for it to cool down enough to harden let's see what we've got
oh it filled in really well like there's a hole near the bottom there but it is
mostly filled in let's take a look oh
that is pretty cool now this is a far from perfect mold considering I kind of
messed up a few processes and making it there's obviously a lot of texture here
that I wouldn't consider to be super desirable but it's kind of the nature of
the game when it comes to 3d printing so I'm gonna do a couple more casts and see
what they all look like
hmm they're becoming more and more discolored over time that's an
interesting development that was lots of fun guys and I now have the answer to my
experiment which is yes you totally can make a mold of a plastic
3d print and then cast pewter into that mold which is really neat it's got it's
got some good heft it's amazing because the original plastic is just so light in
comparison so here in the light you can see my little pewter results here
obviously as I mentioned before a lot of texture on these guys and that can be
fine if that's what you're going for or if it doesn't hinder your project I'm
getting a lot of discoloration here from the pewter I'm not sure if that's
because I'm overheating it or what I also don't remember why that happens
I'll have to go look it up it's been a while since I've done pewter stuff so
this is messy but that is totally because I got lazy with my mold making
this was only for like funzies experimentations sake definitely some
improvements that could be made if I were to do an actual project with this
but mostly it's just kind of really exciting to see that it can be done and
to get a sense of what it would look like and what I would do to make it
better next time so hopefully that helps any of you that
might be considering something similar if you have any questions do post them
below and I will get back to you as quick as I can
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How To Make A Short Film As A Writer - Duration: 2:08. For more infomation >> How To Make A Short Film As A Writer - Duration: 2:08.-------------------------------------------
[WancoBeads] How to make facedog Shih tzu - Duration: 15:48.Beads abacus 4mm brown 27 Beads abacus 4mm transparent 16 Beads round 4mm black 3 Nylon string 0.23mm(dia.) 90cm 1
At first, Add 5 beads(transparent, transparent, transparent, transparent, black) to red nylon string
It crossed in the last addition beads(black)
The number of beads that are in a ring is 5
Add 3 beads(brown, transparent, brown) to blue nylon string, It crossed in the last addition beads
The number of beads that are in a ring is 4
Pick up 1(transparent) in blue
Add 3(brown, black, transparent) to red, cross
The number of beads that are in a ring is 5
Pick up 1(transparent) in red
Add 3(transparent) to blue, cross
ring (5)
Pick up 1(transparent) in blue
Add 3(transparent) to red, cross
ring (5)
Pick up 2(transparent, brown) in red
Add 2(black, brown) to blue, cross
ring (5)
Add 3(brown, brown, transparent) to red, cross
ring (4)
Pick up 1(transparent) in red
Add 3(transparent) to blue, cross
ring (5)
Pick up 1(brown) in blue
Add 2(brown) to red, cross
ring (4)
Pick up 2(black, transparent) in red
Add 2(brown) to blue, cross
ring (5)
Pick up 2(transparent) in blue
Add 3(brown) to red, cross
ring (6)
Pick up 3(transparent, black, brown) in red
Add 1(brown), cross
ring (5)
Pick up 1(brown) in red
Pick up 2(brown, transparent) in blue
Add 1(brown), cross
ring (5)
Pick up 1(transparent) in red
Pick up 4(brown, brown, brown, transparent) in blue, cross
ring (5)
put the ear
Pass the red nylon string to the position of the ear
Pass the blue nylon string to the position of the ear
Add 5(brown) to red
Make a ring with 5 beads from the tip
Add 1(brown) to red, put the right ear
Pass the nylon string to the position of the behind head
Add 5(brown) to blue
Make a ring with 5 beads from the tip
Add 1(brown) to blue, put the left ear
Pass the nylon string to the position of the behind head
Tie the nylon string
After connecting, through the nylon string to 2 or 3 beads
Cut a little pull state the nylon string
It was completed
Use 3mm of Swarovski beads
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How To Make A Custom Glitch Effect In After Effects - Duration: 9:33.Hey, what's up everyone?
This is Owen with Motion Array and in today's tutorial I'm going show you how to make
a glitch effect.
There's a lot of ways to achieve these types of effects but the great thing about this
technique is that it's all driven by things in After Effects so you don't need to source
footage.
Alright, let's get started.
I'm going make a new composition and I'll call it "Glitch Effect".
Then, I'm going to make a text layer and I'll just type in "Glitch".
I'll center this text to my composition with the options in the "Align" panel...
and now I'll precompose my text layer by going to "Layer > Precompose".
I'll name this "Type" and then I'll hit okay.
Now I'm going to set up my RGB channels so that I can separate them out while glitching.
So with the pre comp selected I'll go to Effect > Channel > Shift Channels.
Then I'm going to duplicate my "Type" pre comp twice so that I have three copies of
it.
You can duplicate with CMD + D on the keyboard.
Now I just need to go into the Shift Channels effect on each layer and change some settings.
On my top layer in the "Take Red From" drop down I'll select "Red".
Then for the Green and Blue drop downs I'll select "Full Off".
This leaves just the red channel.
Now I'm going to repeat the process on the other two layers but one will be green and
the other blue….
The last thing I need to do is set the blending mode to Add on all three layers.
Okay, so rather than hand keyframe the position of these three layers to simulate the RBG
separation, I'm going to add an expression.
To set this up I'm going to create a new Null by going to Layer > New > Null Object.
I'm going to change the name to "Wiggle CNTRL"…
And then I'm going to go to Effect > Expression Controls > Slider Control.
Now you'll see I have this effect with a single value in it.
If I change the value, nothing happens because I still need to link the position of my 3
layers to it.
So I'll lock the Effect Controls panel so that when I deselect my null it's effects
are still accessible.
Then I'll go to on of my type layers and pull up it's position with P on the keyboard.
Then I'm going to "Option" click on the stop watch so I can add in an expression.
I'll type "wiggle(20," and then I'll grab the pick whip and drag it up to the Slider
Control value.
That adds that value into my expression.
Now I'll close my parentheses.
So to explain this a little more clearly, the wiggle expression randomly changes your
values.
The first value I typed, 20, is how many times per second it changes your value.
The second value, which in our case is linked to the slider control, is how much it will
change your value.
So right now the slider control's value is 0 so nothing is happening...
But if I change that slider's value you'll start to see some separation...
Now I need to add the wiggle expression to my other two type layers.
To do this I'll highlight the Position property on my layer that already has the expression,
then I'll go to Edit > Copy Expression Only.
Then, I'll pull up the position of my other two type layers, highlight their position,
and then I'll paste with CMD + V.
Now let's place a few keyframes on our Wiggle Cntrl.
I'll move my playhead to 1 second, set the value of the slider to 1, and I'll click
the stopwatch to set a key frame.
I'm also going to unlock my effects control panel so it's not stuck on my slider control.
I'm going to add the rest of my keyframes in the timeline.
To access all the keyframes on a selected layer you can hit U on the keyboard.
So I'll do that, and now I have access to my slider control in my timeline.
I'll move my playhead 5 frames ahead and change my slider's value to… let's say
40.
Yeah, that looks good.
I'll go 5 more frames ahead and bring the value back down to one.
With these keyframes our separation will animate in and out.
Now I'll add in some distortion.
I'll start by creating a new adjustment layer by going to Layer > New > Adjustment
Layer.
I'll change the name to Glitch.
Then, with that layer selected I'll go to Effect > Distort > Wave Warp.
In my Wave Warp effect I'm going to change the Wave Type to Noise.
Then I'll change my direction to 0 to get the distortion to be horizontal.
I'm also going to crank up my wave width to 4000.
This will give me some bigger pieces in the distortion.
With all that adjusted, I'm going to add some keyframes to the Wave Height.
I'm going to place them in the same spots as the Wiggle CNTRLs keyframes.
My first keyframe I'll set to 0.
Then 5 frames later I'll bump it up to 300 and for my last keyframe I'll end back at
0.
The last thing I'm going to do is add a wiggle to this Wave Height.
That way, I'll always have a little bit of movement in my type.
So I'll option click my stopwatch, and type "wiggle(10," … and then I'll pick
whip to the wiggle control slider and close the parentheses.
What I want to do now is transition my text to say something else.
To do that, I'm just going to cut to a different text layer when my distortion is at it's
peak.
The peak of my distortion is at 1 second and 5 frames.
So I'll move my playhead there … and go into my Type pre comp by double clicking on
it.
Inside my pre comp I'm going to select my type layer.
Making sure that my playhead is in the correct spot, I'll go to Edit > Split Layer.
This splits the selected layer into two separate layers where the playhead is.
So I'll double click on the new text layer to highlight the text and then I'll type
in something else….
Alright now I'm going to head back in to the main comp.
When I RAM preview now, it's look pretty much done.
We could stop here but I want to show you a few more techniques to really elevate the
effect.
The first thing I'm going to do is duplicate my Glitch adjustment layer.
With the duplicated layer selected I'll go into the Wave Warp controls and change
the Wave Width to 1500.
This will give me some variance in width in my distortion, rather than all of it being
the same size.
Next, I'll add a new adjustment layer.
I'll change it's name to Noise…
Then I'll go to Effect > Noise and Grain > Noise.
In the effect controls I'll change the amount of noise to 30%.
With the added noise, the look is really coming together.
The last thing I'm going to do is add in some tiny black lines to make it feel like
we're looking at the type through a screen.
So I'll create a new solid by going to Layer > New > Solid.
I'm going to make it black… and make sure it's Comp Sized…. then hit okay.
Then I'll go to Effect > Transition > Venetian Blinds.
In the effect controls I'll change the transition completion to 95%…. the direction to 90
degrees…. and the width to 5.
This will give me some nice, thin lines.
In the layer toggles I'll check this little box that has a T over it.
This is the "Preserve Underlying Transparency" toggle.
This means my black lines will only show up where the layers below it are.
And with that, I think we're done with the glitch effect.
Before we wrap this thing up I want to mention that this effect isn't just for text.
You can apply this to footage or anything really.
Over in this other comp I have the exact same set up, I just put images in my pre comp,
rather than text and it's working great.
So you can see this is a really versatile effect.
Well guys I hope you found this tutorial helpful.
If you did, there's plenty more tutorials for After Effects and Premiere over at MotionArray.com.
Thanks for watching and see you in the next video.
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How to make a Fwa clan | gods DNA - Duration: 3:06.
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Motor Club of America Money|How to Make MCA Sales|MCA FREE Advertising - Duration: 9:26.Hi Its Candice with Motor Club of America money and Kings Prosper Network
Thanks for joining me today to learn about making money with MCA
When you joined Motor Club of America you wanted to make money. That is the main reason why people become MCA Associates!
But when you're just starting up your MCA Business you may not know where to get those leads and maybe your budget is tight.
Rather than spend money on paid advertising when you first start your business you can do some free MCA advertising on social media!
Make posts about MCA as to the services they offer and also about the business opportunity on social media platforms. This gives you FREE MCA advertising!
Put your Motor Club of America posts on Facebook, Instagram, Pinterest, etc. There are so many more social media platforms on which you can advertise.
Get MCA Business Cards and Flyers made (you can print these at home on your printer to save money) and take them with you wherever you go!
Take your MCA membership card with you. Talk to people when you're out. Post your flyers at any public place (that allows you to hang up your flyer, of course).
The possibilities are endless as to where you can advertise for FREE! Think outside the box! And don't give up!
Success is the sum of small efforts repeated day in and day out! So keep on going!
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